As
much as possible, the Championships Director should attempt to diversify
the panel of finals judges. Judge selection will be made public before the
deadline for preliminary entries, and will include judges’ names and credentials.
Judges
should not have a close personal relationship with the competitors where
he or she would not be able to fairly assess the performance of the competitor.
If a judge or competitor feels there is a problem regarding this issue,
then it is the individual’s responsibility to bring it to the attention
of the Championships Director.
All
judges will receive a compilation of past competition acts that will be
used to train judges to think about how the system works and to learn how
to score different acts.
GUIDELINES
FOR JUDGES
· A judge's primary role is to provide a fair and objective appraisal
of the performance viewed.
· Judges are responsible for reading and understanding all rules
before the competition.
· Scores should be completely independent from other judges. Judges
should not talk to each other during the competition.
· Judges you are to score based on what is seen at the time of judging,
not on what they think the competitor is capable of or on what the judges
have otherwise observed the competitor doing.
· Judges are to look for both good and bad qualities.
· A judge should never criticize another judge or their scores.
· All scores and comments should be recorded legibly.
· Judges should be honest with themselves and not worry about what
others may think or decide. Each judge's opinion is valid.
· Judges should train themselves to be consistent. All competitors
should receive the same appreciation and consideration. Marking a score
differently than what one really feels (too high or too low) could unfairly
affect the final outcome for another competitor.
· It is important to look at the whole and not overemphasize one
point so that it becomes the prime issue.
· Judges should make themselves available to competitors after the
competition for further explanation and suggestions for improvement.
· Preliminary Judges must keep their opinions and scores confidential
until after the competition is complete.
· All concerns and questions of should be addressed to the Championships
Director or to an individual designated by the Championships Director.
PRELIMINARY
COMPETITION
The maximum number of competitors will be predetermined based on the
time and resources of the festival. The Championships Director, in conjunction
with the Festival Director, will determine this number before the entry
deadline.
The
same judging system used in preliminary judging will be used in final competitions.
The only difference is that five judges will be used for preliminaries,
and seven for the final competition.The
top and bottom scores will not be counted. The middle three will be averaged
together.
The
Championships Director will send all videos of acts to the five preliminary
judges. Each judge will evaluate all the acts independently. They will have
ten days to complete this process. The preliminary judges will then return
all videos and scores to the director, keeping a record of their own scores
and keeping their scores and opinions confidential. The Championships Director
will then compile scores and the predetermined number of competitors will
be chosen based on the top combined scores. The director will then send
a letter or email to each of the preliminary judges showing all scores and
computations. Once all judges have confirmed the accuracy of their scores,
all entrants will be notified of who qualified for the final competition.
Acts who do not make the final competition will receive a copy of their
scores, as well as their overall placement in the field, cut-off score,
and preliminary judges’ comments. All results and comments for the entrants
who qualify for the final competition will be withheld until after the competition
is complete.
Position
in the show will be based on the entrants’ final scores of their preliminary
acts. The competitor with the highest score goes last, second highest goes
next to last, and so on.
Upon
request, all preliminary videos may be returned to the competitors at the
festival or destroyed.
REHEARSAL
FOR FINALS
Competitors who advance to the finals must attend rehearsal to review
procedures and inspect the performance space. Competitors must make their
technical requirements, such as sound and light cues, known to the Championships
Director, who will be responsible for communication with the Stage Championships
Producer and Stage Manager. The competitor is solely responsible for any
errors resulting from a lack of communication with the Championships Director
or staff, including errors that interfere with the competitor’s performance
and/or adversely affect the judging of that competitor’s routine. The Championships
Director will allow each act an equal amount of time for rehearsal. It is
the responsibility of the competitors who qualify for the final competition
to know when and where the rehearsals will take place. Competitors who miss
their rehearsal time may be disqualified from the championships.
BACKSTAGE
ACCESS
Due to insurance requirements and to ensure professionalism, NO ONE is allowed
back stage during technical set up, tech rehearsal, dress rehearsal, final
performance, or post performance except competitors, their assistants, Championships
Staff, production staff, site technicians, performers, and other authorized
personnel. Security passes are required for everyone permitted backstage.
ASSISTANTS
A competitor is permitted to have up to two prop assistants.
If a competitor requires prop assistants and cannot provide their own, they
must inform the Stage Manager who will assign them technicians. Prop assistants
are required to be physically involved with the competitor’s act. Competitors
needing more than two prop assistants may ask the Championships Director
for permission.
MUSIC
AND SOUND EFFECTS
Music requirements are available on the
IJA's Music Policy for Competitions Page . Compliance with the IJA Music
Policy is the responsibility of the competitor.
TIME
LIMITS
All Juniors performances are to have a maximum time limit of 7 minutes.
All Individuals and Teams performances have a maximum time limit of 8 minutes.
TECHNICAL
RESTRICTIONS AND CONSIDERATIONS
To reduce delays in the competitions and minimize the time between performances,
all acts must require less than two minutes for set up, starting from an
empty stage. To completely clear the stage after the act is complete should
require no more than two minutes. Any unique entrances, exits, props, intentional
drops, etc., must be discussed with the Championships Director before the
competitions begin. Providing special effects, such as strobe, fog, explosives,
fluorescents, black lights, etc., is the responsibility of the competitor.
All special effects must be cleared with the Championships Director and
the facility stage manager.
The
IJA will endeavor to provide a high quality stage for the competitions,
but no explicit guarantees are made concerning characteristics of the performance
area. For example, competitors are advised to provide their own "bounce
slabs" for technical bounce tricks, and to be prepared to cope with
possibly adverse lighting conditions or uneven ceiling heights.
No
object may be intentionally juggled in an unsafe manner or thrown or kicked
off the front of the stage.Acts
involving fire in any way are not permitted. Acts that damage the performance
area in any way are not permitted. Judges, audience members, and all backstage
personnel, except those directly involved with an act, may not engage in
any behavior that could materially affect an act, other than applauding
or otherwise expressing approval in appropriate ways at appropriate times.
The Championships Director reserves the right to veto any prop or portion
of a routine that may jeopardize the professionalism of the championships
or the safety or property of the audience, the championships personnel,
or the theater.
JUDGING
SYSTEM
The scoring system will be the same for all stage competitions. The Teams
competition has the following additional rules:
(a) Team acts should involve significant juggling and performance
interactions among the team members. Significant interactions would include
any kind of passing or exchanging of props among members, as well as simultaneous
or coordinated juggling among members.
(b) All team members should make a significant contribution
to the act.
If
these Teams rules are not followed, the judges’ scores should reflect negatively.
Each
competition is held separately. For instance, if Teams and Individuals were
on the same night, one competition would run in the first half and the other
would run in the second half.
Every
finals act is required to be as similar as possible to its preliminary act.
A competitor who intentionally changes his or her act in a significant way
from the preliminary act may be disqualified.
A
scale of 0 to 5 is used for judging all competitors:
0 = No Achievement or Attempt
1 = Very Poor
2 = Poor
3 = Good
4 = Very Good
5 = Perfect/Flawless
Decimals to one place are permitted to show more detailed differentiation
(e.g., 3.3 or 3.7)
The
following categories are used to determine the final score of each performance.
The multiplication factor determines the weight of each category.
Category
|
Multiplication
Factor
|
Total
Possible Points
|
|
|
4
|
20
|
|
Entertainment
Level
|
4
|
20
|
|
Degree
of Difficulty
|
3
|
15
|
|
Theatrical
Framing
|
3
|
15
|
|
Creativity
|
3
|
15
|
|
Element
of Risk
|
2
|
10
|
|
Stage
Presence*
|
1
|
5
|
|
Total
|
20
|
100
|
*The
Stage Presence category is not included in preliminary judging. Each competitor
will automatically be rewarded with five points for Stage Presence in the
prelimary competition.
The
two timer/counters will count the drop events in each performance. A drop
event occurs when a competitor loses control of one or more props and it
falls to the floor. Regardless of how many props hit the floor, it is counted
as a single drop event.
The
two timer/counters' drop event numbers are averaged together to get the
drop count. Prior to scoring, the timer/counters give the drop count to
the judges for consideration. It is up to the judges to determine how drops
affect scores.
Each
judge is required to score independently. Judges record their scores and
write comments for each act immediately after the completion of the act.
All scores are to be turned over to the scorekeeper before the next act
begins.
The
timer/counters also keep track of the time that each act takes to complete.
If the competitor goes over time, the following points will automatically
be deducted from the final score. This is a systematic deduction and is
not within the responsibilities or control of the judges.
|
Seconds Over Time
|
Points Deducted from Final Score
|
|
> 0and
</=10
|
1
|
|
> 10and
</=20
|
4
|
|
> 20and
</=30
|
9
|
|
> 30and
</=40
|
16
|
|
> 40and
</=50
|
25
|
|
> 50and
</=60
|
36
|
|
> 60
|
Automatic disqualification
|
The
lowest and highest scores in each category are thrown out. The remaining
five scores are averaged together. This would be the final categorical score.
The
scorekeeper enters each score into a spreadsheet during the competition
for expediency. Each final categorical score is multiplied by its corresponding
factor to figure points. All points are added up to total the final score.
The competitor with the highest score wins first place, the competitor with
the second highest score wins second place, and so on.
In
the event of a tie, the final categorical scores for the competitors with
equal scores will be recalculated with all the judges’ scores, including
the highest and lowest scores that were previously omitted. This recalculation
will determine who wins the tie. If the scores are still tied after the
recalculation, a tie will be declared and two medals will be awarded for
the same place. If there is a medal for the next place, it will not be awarded
(e.g. a tie for second place calls for two silver medals, but no bronze
medal).
One
of the five preliminary judges is needed to be present at the competition
to confirm that the preliminary act is very closely the same as the final
act. If the preliminary judge feels the competitor has intentionally changed
his act between the preliminaries and the finals, the Championships Director
will be notified. It is the decision of the Championships Director as to
whether or not the competitor will be disqualified. The Championships Director
will not have the opportunity to make the decision unless the preliminary
judge raises the issue.
Following
the competition, the judges may be required to leave the theater to confirm
all of their scores are correct. This time is to be used to confirm scores
written on judges’ scorecards. This time is not to be used to discuss, debate,
or change scores. Once all scores are confirmed, the winner will be ready
to be announced.
All
scores with complete breakdowns may be posted at the festival and on the
Stage Championships web page. All competitors will receive a copy of the
scorecards for their championship and preliminary acts.
EXPLANATION
OF CATEGORIES
Execution:Focuses on
how well the competitor performs the routine. High marks should be awarded
for completion of tricks without hesitation or difficulty. Competitor’s
form and technique should be considered.
Entertainment
Level:Overall appeal
of the act.
Degree
of Difficulty:Difficulty
of tricks performed, as well as the inherent difficulty of the prop used.
Degree of difficulty is determined by the type and number of objects juggled;
the speed of the juggling; the types of throws, catches, balances, or other
object manipulations; the complexity of combinations of juggling tricks;
and the transitions between juggling tricks.
Theatrical
Framing:May include
but is not limited to overall routine, costume, music, speech, comedy, use
of props, and staging. High marks will be awarded for successfully using
theatrical elements to enhance an act. Low marks should be given if theatrical
elements are detrimental or distracting to the act.
Creativity:New tricks,
props, approaches to performing, and presentations that are performed well
will receive high marks.
Element
of Risk:The chance
of a drop or mistake, and the difficulty of cleanly recovering from a drop
or mistake.
Stage
Presence:Ability to
command an audience with confidence and an impressive style or manner.
AWARDS
AND PRIZES
Cash awards are listed on the IJA Stage Championships web page. Winners
will also be presented with medals, and the name of the Individuals Gold
medal winner will be inscribed on the IJA Stage Championships trophy.
First
place: gold medal
Second place: silver medal
Third place: bronze medal
The
prize money for teams is to be shared among the team members.
For example, aprize of $500
for a team act means that the team receives $500, not that each team member
receives $500.
If
only two entrants qualify for the finals in any event, then no third place
medal or third place prize money will be awarded in that event. If only
one entrant qualifies for the finals in any event, then that entrant wins
the gold medal and associated prizes, and no second or third place medals
and prizes are awarded in that event.